Portal de La Union
www.portaldelaunion.com
Two different ways of understanding cante hondo merged yesterday in the Old Public Market of La Union with the same result: an audience that was captivated by the pure strength of María Terremoto and the virtuosity of Los Vivancos.
The Union, August 5.
In the tables of the Old Public Market of the Union crossed two different roads but that converged in a single one.
A path that is intangible heritage declared by UNESCO, a path that is called flamenco.
To the tables the young María Terremoto climbed, twenty years contemplate this jerezana of tronío but with aplomb enough to face the respectable of the Union all this despite confessing in the previous "I come to La Union with great respect, is the first Once I go up to the Cathedral but I do it with enthusiasm "That young impudence earned him to leave as a whirlwind of force and Jerez goblin with some martinetes that served to fill with deep and orthodox quejío to the unionense courtyard.
The passage through the soleá por bulerías served as a prelude to the main course brought by the Earthquake to the Old Public Market of La Unión.
The Jerez-born woman threw for the most representative cantes and sticks of her native Andalusia, playing several sticks in which La Terremoto demonstrated caste, throat and the qualities that have served her to be declared the strongest young value of today's flamenco.
Between tientos topped by tangos and fandangos Maria was caressing the sensitivity of the respectable that added more cheers and applause at the end of each intervention of the cantaora.
But not only of cantes de dolor lives María, her festive weekend wanted to raise the mood of the audience with a series of tientos-tangos, fandangos and bulerías that she dismissed with a performance that has allowed this young man of 20 years to "graduate "in the world of flamenco after his successful passage through the Cathedral of Cante.
A NEW WAY TO UNDERSTAND THE DANCE.
The Vivancos have dazzled in the most different and diverse scenarios.
However, it was the first time they climbed to the tables and scaffolding of the Old Public Market of La Unión something that "for us is a challenge for what this temple means for flamenco"
And they did not walk through the branches. The Vivancos Brothers went into the work forcefully and the security that comes from having traveled half the world with their show "Born to Dance".
Flemish rhythms combined with a dramatic scene that made vibrate from their seats to an audience that crowded the Cathedral of the Cante and that with each change of costumes or number dismissed these brothers bailaores with samples of joy.
This group of dancers recreated a visual fantasy in which dance, martial arts, musical dexterity and humor came together, forming a work that mixes a refined virtuosity with a vivifying artistic eclecticism without neglecting classical education.
In "Born to Dance", Los Vivancos transformed flamenco and took it a step further to the beginning of the show by the grace of the show.
A dogma that turned this work into everything that moved the attendees who responded with continuous applause.
Source: Agencias
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