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Vicente Amigo recaptures the cathedral of cante (08/08/2018)

The Union, August 7.

He returned the 1988 Mining Bordón to the Cathedral that consecrated him, to the place that baptized him as master of the strings, he returned to the Old Public Market that wanted to see one of his many children marked by success and the goblin who have stepped on his tables .

Vicente Amigo did not disappoint with his last album he played in the tables of La Unión.

Friend has returned to the roots.

To the flamenco that belongs, to the mythical terrain from which his art emerges, the one that with so much skill and in so many occasions has given him arguments and success and with which he best defends himself with his inseparable guitar.

The hand of the great collaborations that have had on this album its spicy touch but did not detract from the show that Vicente Amigo presented at the Old Public Market with some attendees who packed the stalls to be accomplices of a unique experience between them and the teacher of Guadalcanal.

The guitarist left the flamenco purists with jondo songs of the "Memory of the Senses" and attracted the nostalgic to the guitarist's cause with some of the great repertoire themes of an artist who has been at the top of the world for 30 years. international panorama, just the time he stepped on, played and triumphed in the same tables, in the same place and in the same city as he did for the first time.

Gift "to the stage where it all began, 30 years ago where that children's game began to be something more serious" a guitar solo from La Callada de la Luna that put the Unionense public in a situation that filled an Old Public Market to the flag that was too small to receive the genius of the six strings.

At blow only of the guitar, percussion and palms, Amigo recites with his strings;

the voice is then incorporated to increase the tension of the recital.

Without instrumental additives, the guitar always in command, the Sevillian guitar player raised in Córdoba intersperses instrumental songs with bulerías topped with dancing or the cante dedicated to Morante in Cuatro Lunas.

With the end of his new job, the people standing up asked the Sevillian to come back to the tables.

The guitarist had no choice but to accept the public's request.

With each final requiebr, the Old Public Market was delivered more and more until Amigo pulled classics.

Requiem and Rome made the guitar teacher sit at the Cathedral of Cante on an unforgettable night

Source: Agencias

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